They are all gone away,
The house is shut and still,
There is nothing more to say.
Through broken walls and gray
The winds blow bleak and shrill:
They are all gone away.
Nor is there one today
To speak them good or ill:
There is nothing more to say.
Why is it then we stray
Around the sunken sill?
They are all gone away.
And our poor fancy-play
For them is wasted skill:
There is nothing more to say.
There is ruin and decay
In the House on the Hill
They are all gone away,
There is nothing more to say.
mercredi 29 juillet 2015
mercredi 25 février 2015
The darkling thrush by Thomas HARDY
I leant upon a coppice gate,
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to me
The Century's corpse outleant,
Its crypt the cloudy canopy,
The wind its death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervorless as I.
At once a voice arose among
The bleak twigs overhead,
In a full-hearted evensong
Of joy illimited.
An aged thrush, frail, gaunt and small,
With blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew,
And I was unaware.
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to me
The Century's corpse outleant,
Its crypt the cloudy canopy,
The wind its death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervorless as I.
At once a voice arose among
The bleak twigs overhead,
In a full-hearted evensong
Of joy illimited.
An aged thrush, frail, gaunt and small,
With blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew,
And I was unaware.
mercredi 7 janvier 2015
Villanelle by Dylan Thomas, 1914 - 1953
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
samedi 29 novembre 2014
Limerick by William Cosmo Monkhouse (1840-1901)
- There was a young lady from Niger,
- Who smiled as she rode on a tiger;
- They came back from the ride
- With the lady inside,
- And the smile on the face of the tiger.
- William Cosmo Monkhouse (1840-1901)
mardi 18 novembre 2014
Daybreak in Alabama by Langston Hughes
When I get to be a composer
I'm gonna write me some music about
Daybreak in Alabama
And I'm gonna put the purtiest songs in it
Rising out of the ground like a swamp mist
And falling out of heaven like soft dew.
I'm gonna put some tall tall trees in it
And the scent of pine needles
And the smell of red clay after rain
And long red necks
And poppy colored faces
And big brown arms
And the field daisy eyes
Of black and white black white black people
And I'm gonna put white hands
And black hands and brown and yellow hands
And red clay earth hands in it
Touching everybody with kind fingers
And touching each other natural as dew
In that dawn of music when I
Get to be a composer
And write about daybreak
In Alabama.
I'm gonna write me some music about
Daybreak in Alabama
And I'm gonna put the purtiest songs in it
Rising out of the ground like a swamp mist
And falling out of heaven like soft dew.
I'm gonna put some tall tall trees in it
And the scent of pine needles
And the smell of red clay after rain
And long red necks
And poppy colored faces
And big brown arms
And the field daisy eyes
Of black and white black white black people
And I'm gonna put white hands
And black hands and brown and yellow hands
And red clay earth hands in it
Touching everybody with kind fingers
And touching each other natural as dew
In that dawn of music when I
Get to be a composer
And write about daybreak
In Alabama.
Langston Hughes
(1 February 1902 – 22 May 1967 / Missouri)
mercredi 28 mai 2014
Lorine Niedecker
In moonlight lies
the river passing—
it's not quiet
and it's not laughing.
I'm not young
and I'm not free
but I've a house of my own
by a willow tree.
-*-*-*-*-*-*-*-*-
What horror to awake at night
and in the dimness see the light.
Time is white
mosquitoes bite
I've spent my life on nothing.
The thought that stings. How are you, Nothing,
sitting around with Something's wife.
Buzz and burn
is all I learn
I've spent my life on nothing.
I've pillowed and padded, pale and puffing
lifting household stuffing—
carpets, dishes
benches, fishes
I've spent my life in nothing.
Poems by Lorine Niedecker are from the book "Lorine Niedecker: Collected Works" edited by Jenny Penberthy, published by the University of California Press, 2002 used with permission by the University of California Press.
the river passing—
it's not quiet
and it's not laughing.
I'm not young
and I'm not free
but I've a house of my own
by a willow tree.
-*-*-*-*-*-*-*-*-
What horror to awake at night
and in the dimness see the light.
Time is white
mosquitoes bite
I've spent my life on nothing.
The thought that stings. How are you, Nothing,
sitting around with Something's wife.
Buzz and burn
is all I learn
I've spent my life on nothing.
I've pillowed and padded, pale and puffing
lifting household stuffing—
carpets, dishes
benches, fishes
I've spent my life in nothing.
Poems by Lorine Niedecker are from the book "Lorine Niedecker: Collected Works" edited by Jenny Penberthy, published by the University of California Press, 2002 used with permission by the University of California Press.
lundi 12 mai 2014
For Mac de Jack Spicer
For Mac
A dead starfish on a beach
He has five branches
Representing the five senses
Representing the jokes we did not tell each other
Call the earth flat
Call other people human
But let this creature lie
Flat upon our senses
Like a love
Prefigured in the sea
That died.
And went to water
All the oceans
Of emotion. All the oceans of emotion
are full of such ffish
Why
Is this dead one of such importance?
Jack Spicer
à découvrir ... http://remue.net/spip.php?article1604
A dead starfish on a beach
He has five branches
Representing the five senses
Representing the jokes we did not tell each other
Call the earth flat
Call other people human
But let this creature lie
Flat upon our senses
Like a love
Prefigured in the sea
That died.
And went to water
All the oceans
Of emotion. All the oceans of emotion
are full of such ffish
Why
Is this dead one of such importance?
Jack Spicer
à découvrir ... http://remue.net/spip.php?article1604
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